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A partially completed leather briefcase rests on a Florentine workbench beside traditional hand-stitching tools.

Chapter III — The Atelier

NERI KARRA

The Atelier

A working house on Via dei Macci, outside the old Florentine gate, where twenty-two hands carry a craft that began in 1962.

Firenze · Est. MCMLXII

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Prologue · MCMLXII

A house begun by two hands.

Tomaso and Elena Karra opened their first workshop in Florence in the autumn of 1962. They had been given a small loan, a single oak table, and an introduction to the tanners at Conceria Walpier, a vegetable tannery south of the Arno that had been working with the same bark-and-water method for three generations.

The agreement was uncomplicated and has never been revised. Karra would buy only Walpier leather. Walpier would reserve for Karra the choicest shoulders of each pit. Sixty-three years later, the agreement is still the spine of the house.

From the beginning, Tomaso refused the wholesale route. He set the first production ceiling himself — a figure modest enough that every piece could be sewn, finished, and stamped by a single maker. That figure is still the figure. It is the reason only 2,400 finished pieces leave the atelier each year.

Today the house is led by Tomaso's granddaughter, Beatrice Karra-Ferrante. The tools on the workbench are the same. The tannery is the same. The ceiling has not been raised.

The Makers

Seven hands, twenty-five years or more.

Every Neri Karra piece is constructed by a single master artisan. The maker's initials are monogrammed into the lining before the bag is closed. Below, four of the seven artisans whose tenure with the house exceeds twenty-five years.

  1. Portrait of master artisan Giuliano Conti at the Neri Karra workbench.

    N° 01

    Giuliano Conti

    Briefcases & Document Cases

    With the house since 1986 · 39 years

  2. Portrait of master artisan Maria Landi at the Neri Karra atelier.

    N° 02

    Maria Landi

    Handbags & Soft Totes

    With the house since 1989 · 36 years

  3. Portrait of master artisan Piero Mancini threading a needle at the Neri Karra atelier.

    N° 03

    Piero Mancini

    Bespoke Commissions

    With the house since 1991 · 34 years

  4. Portrait of master artisan Carla Renzi holding a finished clutch at the Neri Karra atelier.

    N° 04

    Carla Renzi

    Small Leather Accessories

    With the house since 1996 · 29 years

Three additional artisans — Salvatore Greco, Lucia Bini, and Andrea Corsi — round out the seven makers whose tenure exceeds twenty-five years. The atelier employs twenty-two makers in total, each working at a single bench, in a single craft.

Stewardship

Duties inherited, not chosen.

Two obligations have accompanied the Karra name since the first workshop opened. The first is environmental: the atelier has held Climate Neutral Italy certification since 2021, but the family's own accounting of hides, water, and waste goes back decades earlier. The second is restoration: every piece the house has ever made can be returned, free of charge, to be repaired by the same hands that built it.

Beatrice Karra-Ferrante, the third-generation creative director, frames both duties as inherited rather than adopted. They are part of the agreement with Walpier, and with the seven makers at the bench, and with the clients who have entrusted their pieces to us since 1962.

Read on Restoration

The Collection · MMXXVI

The work, continued.

Each piece in the present collection is the present tense of the 1962 founding: hand-stitched by a single artisan, tanned at a single tannery, finished under a single ceiling of 2,400 pieces per year.

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